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Leading off, an article by Katharine Relth which was published on the IDA blog gives a list of helpful tips for creating a sustainable doc career.
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And while on the topic of Op-Docs, Heather McIntosh of the POV Documentary Site Blog wrote a piece on the coming semester in which she intends to teach a junior-level course in news writing and reporting based around the series.Īnd lastly before we get to a wealth of festival coverage, a slew of great articles regarding the development and promotion of documentaries and documentary filmmaking were also published this week. A pair of shorts in Joe Callander’s MIDNIGHT THREE & SIX and Elizabeth Lo’s HOTEL 22 also made their debut as part of the ongoing New York Times Op-Docs series. For Newsweek, Stav Ziv highlighted the online release of ANATOMY OF A SNOW DAY, a short directed by a 12 year old named Zachary Maxwell, which had its world premiere last year at DOC NYC.
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A new entry into the Profiles By Vice series entitled THE LEGEND OF CAMBO, directed by none other than Harmony Korine, also found its way into the world. Writing for RT, Tony Gosling examined Curtis’ prior work and the reasoning behind an online-only release. I’d also like to point out that a handful of non-fiction films, mostly shorts, quietly found their way onto the interwebs this week, most excitingly a new politically incisive, online-only BBC released feature by director Adam Curtis, entitled BITTER LAKE. If you like, you can purchase tickets in advance here. Directors Rachel Lears and Robin Blotnick, as well as film subject Mahoma López are set to appear for a post screening Q&A. Tickets are still available here.Ĭomedian Tig Notaro hosting the 2015 Sundance Film Festival Award CeremonyĪs is to be expected during a week in which Sundance, Slamdance and Rotterdam all run in parallel, an avalanche of wonderful coverage, interviews and reviews has been sliding out of Park City all week, but before I attempt to sort through the good, the bad and the ugly of that whole situation, I’d first like to remind you that the Winter ’15 season of Stranger Than Fiction is set to kick off tomorrow evening at the IFC Center in NYC at 8 pm with THE HAND THAT FEEDS. Director Sam Green and producer Carrie Lozano will be on hand for a live post-screening Q&A. Our 2018 Spring Season of Stranger Than Fiction continues tomorrow evening at IFC Center with Sam Green’s Oscar nominated portrait of troubled and revolutionary times THE WEATHER UNDERGROUND. Last week, the Peabody Awards Board of Jurors revealed their 19 nominees for its Documentary category and just days later they whittled down that list to 9 winners: AMERICA REFRAMED: DEEJ, AMERICAN MASTERS: MAYA ANGELOU: AND STILL I RISE, CHASING CORAL, INDEPENDENT LENS: NEWTOWN, INDIVISIBLE, LAST MEN IN ALEPPO, OKLAHOMA CITY, THE ISLAND AND THE WHALES, and TIME: THE KALIEF BROWDER STORY. But he often returned to education, as he and his creative partner, Karen Goodman, his first wife, did in 2010 with STRANGERS NO MORE, which won the Oscar for best short documentary.” Simon directed and produced documentaries for PBS, National Geographic and HBO, tackling a wide range of topics.
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Simon suffered cardiac arrest and was declared dead after he was taken to a hospital. Slotnik‘s report in The New York Times that “Kirk Simon, a documentary filmmaker who turned luminaries in the arts into teachers and brought cameras into the classroom, memorably in an Academy Award-winning film about a multinational school in Israel, died on April 14 in Manhattan.
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Before we get into the nitty gritty of festival news and theatrical releases, it is with a heavy heart that I share Daniel E.